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Accommodations
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 The 21 bedrooms, which include eight apartments (six in the château itself and two in the Residence), bear the names of those who have contributed to the château's distinguished past: the Chambre des Seigneurs d'Oingt, the Suite des Seigneurs de Balzac, the Chambre de Madame de Sévigné and the Claude Marie Chavanais Suite.
Many are decorated with remarkable wall paintings, which date back through the centuries. The rooms, all with private bathrooms, have been furnished with exceptional care: with soft velvets and shimmering silks and with rare and beautiful antiques; they also possess the very latest telecommunications system. |
 Traditional Rooms: Queen-size or twin-bedded rooms in the château or in the Residence.
Room 11 ~ La Tour des Rondes: This tower, whose horseshoe shape indicates that it was designed for the use of firearms, overlooked the battlements and was accessible by the staircase cut into the thickness of the wall. From it the surrounding countryside could be observed, and thanks to the installation of the machinations in the middle of the 14th century, pieces of wood or burning material could be thrown down onto the enemy all along the extent of the curtain wall. The defensive system of the eastern facade of the château was pulled down in the 18th century, but traces remain visible.
The rustic bed has a quilt made of 19th-century cotton, decorated with flowers. The 19th-century English oak rocking chair has a tapestry cushion of the period. The 19th-century vigneron table is made from walnut and comes from the area. The 18th-century walnut chest is carved and has a shaped base. The French 18th-century painted panel depicts a landscape with classical ruins. The English dark oak chair with wooden seat and back is carved with the initials 'ELA' and is dated 1717. The carved wood angel dates from the end of the 17th century and shows traces of polychrome.
Room 14 ~ Monbellet de Saint-Try: Claudine Barthélémy Croppet de Varissan married a friend of her parents, Jean Giraud de Montbellet, who owned the Château de Saint-Try near Anse. Jean Giraud de Montbellet had one of the greatest fortunes in Lyon, based on property, which brought him a revenue of more than 70,000 livres a year. During the French Revolution he took the precaution of moving to Geneva, and his eldest son succeeded in selling the Château de Bagnols to Claude-Marie Chavanis.
This room is part of the former stables of the château, which date from the 15th century. The vaulting was pierced by a shute, which delivered the hay from the granary above to the stable. The pair of four-poster beds have barley-twist columns in dark wood with hangings of blue and white quilted sateen. The pair of 19th-century walnut high-backed chairs have baluster legs. The 19th-century prie-dieu is in dark wood, carved with gadrooning and arabesques. It has supports with angels and claw feet. The two painted panels date from the 18th century and depict landscapes en grisaille.
Room 16 ~ La Tour des Sentinelles: This suite, which is on two floors, is situated in the 15th-century tower at the north-east corner of the outer wall of the château, between the former stables and the Cuvage. It served to defend the old entrance to the Basse Cour. The 16th-century, cross-shaped openings for firearms can be seen in the exterior walls of the salon on the ground floor.
The bed has a wooden headboard carved with two pilasters surmounted by grotesque heads. It has a bedspread of antique purple velvet decorated with gold braid. The French painted panel, depicting an allegorical scene, dates from the 18th century.
The salon has an 18th-century stone sculpture of a female torso with classical drapery and an 18th-century French painted panel depicting a mythological scene. The 18th-century dark wood chest on claw feet is carved with architectural motifs and arabesques of foliage.
Room 17 ~ François Aricor: Joseph-Barthélémy Hessler acquired Bagnols in 1711; worried about its condition, he restored it and decorated it according to the fashion of the time. He sought the help of François Aricor, a roofer of Bagnols, to 'carefully re-roof, and maintain the Châteaux of Bagnols and Marzé, the towers, pavillions, porches, stables, the roofs of the granaries, the outside towers and outbuildings of the said Bagnols; to restore the covers of the wine-presses, all the ovens and mills, the servants quarters, all the vines, stables and granaries that appertain to the said landowner in the parishes of Marzé, Alix, Moiré and Frontenas during a period of ten years, for which he will receive a salary of sixty "livres" per year.'
This room is situated above the former stables, which date from the 15th century, and was used as a granary. It has a beautiful roof of exposed beams, with an elegant window surmounted by a triangular pediment dating from the 17th century, from which there is a view onto the Basse Cour. There is a pair of four-poster beds with barley-twist columns and hangings in crimson and white Toile de Jouy. The 19th-century round vigneron table has a pivoting top. The 18th-century Spanish chest of drawers is in dark patinated wood, with four drawers decorated with ironwork handles.
Room 18 ~ Jules de Chevalard: Jules de Chevalard was a Chevalier of the Legion d'Honneur and also the Prefect of the Ardèche, Allier and Channel districts. On the 22nd of February 1873 he married Amélie Morand de Jouffrey, the heiress of the Château de Bagnols. This room is situated above the former stables, which date from the 15th century. It was used as a granary, and shutters were built in the floor so that the hay could be delivered directly into the stable. The beautiful ceiling, with its exposed beams, has a window with a triangular pediment dating from the 17th century, from which there is a view of the Basse Cour. The pair of beds have wooden headboards carved with columns. They have antique quilts with a red background and a floral design. The 19th-century Italian chest is made from painted pine and decorated with foliage in diamond-shaped panels. The 17th-century French walnut chest has V-shaped beading on a carved base. The French 19th-century quilted wall hanging has a floral decoration on a brown background. |
 Deluxe Rooms: Queen-size bed in the château or in the Residence, overlooking the valley, the garden and the Renaissance courtyard.
Room 1 ~ Les Seigneurs d'Albon: The Seigneurs of Albon owned the château from 1288 to 1453. The decoration in this room is an architectural scheme of Ionic pilasters and architraves, which dates from the early 17th century. The bay window, which was originally mullioned, and the partitioned ceiling also date from this period. On the east wall behind the bed there are some fragments of an early 18th-century decoration, depicting the sacrifice of Iphigenia according to Euripedes.
The walnut bed has hangings of crimson silk velvet with a border of gold threadwork, dating from the period of Louis XIV. The armoire in painted wood is in the 17th-century neoclassical style and has a Latin inscription. The 17th-century Italian chest of drawers is veneered in fruitwood with contrasting marquetry and has a sliding writing table and three large drawers decorated with curved mouldings. The mirror has a surround of tortoiseshell lacquer. The small writing table in carved walnut is Louis XIII and dates from the end of the 17th century.
The bathroom is situated in one of the 13th-century round towers and is decorated with a scheme of early 17th-century wall paintings with a repeating 'arch' motif. It is interesting to note the two types of openings in the wall, formerly used for defensive purposes: a deep, triangular opening adapted to the use of the 14th-century crossbow and the other, shaped in the form of an X, which facilitated the firing of an arquebus whilst protecting the soldier from any return fire.
Room 2 ~ Claude Camus: Claude Camus owned Bagnols in the latter half of the 16th century. His fortune derived from the spice trade. It was he who improved the fortifications of the château during the wars of religion. This room originally contained the mechanism for the drawbridge, which Claude Camus had installed to cross the moat on the west side of the château. In the 17th century the mechanism was removed, the room was remodelled and the windows were created. The wall paintings in the corridor were part of the decorative scheme of this room at that time. The 'Polonaise' bed in the style of Louis XIV is hung with antique pale green chintz with a floral design. The Italian baroque 18th-century commode is in pale green lacquered wood, decorated with garlands and flowers. The set of three 19th-century oil paintings are from the English School and depict a rural fishing scene. The Louis XIII high-backed walnut chair is covered with 19th-century green silk moire.
Room 3 ~ Guichard d'Oignt: Guichard d'Oingt was the first owner of Bagnols, and it was he who built the fortifications in 1221. The tower (now the bathroom) dates from the late 13th or early 14th century. It has two X-shaped openings, which were used for defensive purposes.
The bed has an important set of purple silk damask hangings, which date from the reign of Louis XIV. The 17th-century chest of drawers is Italian, with ebony marquetry and bone inlay. The inlaid panels depict the story of Diana and Actaeon. The mirror has carvings of dolphins and a surround of purple silk velvet.
The two Italian 17th-century chairs are made of carved walnut with gilded crestings. They are covered in 19th-century crimson silk. The large Brussels tapestry dates from the 17th century and depicts a stylised country scene with eagles, trees and exotic flowers and a border of flowers and fruit. Theprie-dieu in the entrance is of carved walnut with column supports and dates from the reign of Louis XIII. |
 Room 12 ~ Ann Dugué: In 1672 Anne Dugué married her cousin Dreux Louis Dugué, who owned the château. The wedding ceremony took place in Lyon and was blessed by the archbishop, Camille de Neuville de Villeroy. Her sister, Marie-Angélique, was present with her husband, Philippe Emmanuel de Coulange, a cousin of the Marquise de Sévigné. Anne, who was not renowned for her fidelity, fell for the son of Madame de Sévigné, and Madame de Sévigné took great pleasure in criticising the passionate letters, which Anne sent to her son.
This room is situated above the area which formerly contained the mechanism for the drawbridge. The fine Louis XV 'Lit à la Turque' has a bedhead in carved and painted wood and a roof covered with its original hangings in ivory and crimson silk, finely embroidered with medallions, swags and acanthus leaves. The pair of Louis XV bergères are made of carved and painted wood and are covered in crimson silk.
The two Italian 17th-century walnut chairs have acanthus leaf finials and are covered in a rich, purple velvet embroidered with scrolls and swags in gold thread, surrounding a 17th-century armorial. The 17th-century English carved walnut writing table has turned baluster legs. The mirror dates from the time of Louis XIV and has a dark wood frame decorated with gilded brass in a design of garlands, cherubs and arabesques enclosing armorials. The pair of carved walnut chairs are 19th century. The fine 18th-century Italian dark walnut chest of drawers is carved and moulded, has three drawers and a shaped base on scroll feet.
Room 13 ~ Croppet de Varissan: Marie-Anne Hessler owned the château in 1737, when she married Jean-Baptiste-Louis Croppet de Varissan. The couple lived in Lyon and frequently stayed in their châteaux of Irigny and Bagnols.
This room was formerly a stable - at that time the entrance was through the monumental gate, which was destroyed when the Cuvage was built. In the vaulting there were shutes from the hayloft above, which delivered the hay directly into the stable. The four-poster bed is hung with 19th-century toile printed with garlands, and the interior ceiling of the bed depicts the tree of life, which is identical to that which hangs on the wall above the chest.
The Louis XV carved oak cupboard is double-fronted with an upper part, which is set back, and a lower section with double doors. The walnut writing table has tapered, fluted legs and is in the neoclassical style.
Room 15 ~ Joseph Hessler: Joseph-Barthélémy Hessler, whose family originated in Frankfurt, acquired the Château de Bagnols on the 2nd May 1711. He was a 35-year-old bachelor, who occupied an important post at the Coin Exchange of Lyon.
This room is part of the former stables of the château, which date from the 15th century. The wall behind the bed, which is over a metre thick, formed part of the defenses of the château. The room gives on to the 17th-century terrace, which was specially created to unite the varying levels of the land round the moat. The terrace provides access to the lower gardens by way of the charming 17th-century belvederes.
The four-poster bed has a complete set of pelmets and hangings in 19th-century printed floral cotton, trimmed with braid and tassels of the same period. The very fine Louis XV Lyonnaise armoire is made from walnut, carved with shells, acanthus leaves and foliage. The French 18th-century painted panels depict pastoral landscapes.
Room 19 ~ Boutechoux de Chavanes: On her marriage to Count Joseph Boutechoux de Chavanes in October 1899, Antoinette Souchon du Chevalard brought Bagnols as her dowry. It was her husband who restored the Salles des Gardes, formerly used as a storeroom, of which the windows looking out onto the garden had been blocked up in order to reduce taxes. He called on the architect Frédéric Benoit to restore the Gothic fireplace, which is 'one of the most beautiful in France' according to the historian Bégule. Their daughter, Marie-Antoinette, kept the château until 1984.
This room is at the far end of the former stables, which date from the 15th century. It has a beautiful ceiling with exposed beams and a window with a triangular pediment dating from the 17th century. The ironwork bed, with brass acorn finials, has hangings of checked red and white linen. The 18th-century Spanish drop-leaf table is made from walnut, with two bracket supports. The 17th-century walnut chest is carved with rosettes and a cross and has its original fittings. |
 Several of the suites have their salons in a corner tower, some with sofas which can convert into an extra bed to make a family suite. The influence of Italian Renaissance decoration can be seen in the work of the 17th-century painters, who included the most fashionable ideas in their decorative schemes: landscape panels, fanciful friezes and bold ceiling arabesques.
Junior Suites: Queen-size or twin-bedded rooms with a salon area in the château or in the Residence, many with wall paintings.
Room 7 ~ Dame Charrier de la Roche: Marie Charrier de la Roche married Gaspard Dugué on the 17th September 1609. They acquired Bagnols ten years later and continued to add to the comfort and amenities of the château.
This room is part of the former chapel, which was exceptional due to its length (27 metres) and the painted decoration, which adorned the walls and ceiling.
The octagonal motifs, which are decorated with rosettes and delicate garlands, are modelled on the illustrations of a book by Sebastiano Serlio, who was resident in Lyon in the 1550s. The tower, which is now the bathroom, has traces of wall painting on each side of its door, depicting a false colonnade and a landscape recalling the rolling countryside of the area, which can be seen through the windows inserted in the machiolations. In the 19th century the chapel fell into disuse, and the tower was used as a pigeonnier.
The bed is flanked by two angels in richly carved oak, which date from the 17th century. The 17th-century Italian chest is in the form of a sarcophagus and is made of painted wood and carved with swags and arabesques of foliage. The two 17th-century Spanish high-backed chairs have gilded acanthus finials and are covered in striped fabric. The Louis XIV round table is in light oak with a central baluster support.
Room 8 ~ Gaspard Dugué: Marie Charrier de la Roche married Gaspard Dugué on the 17th September 1609. They acquired Bagnols ten years later and continued to add to the comfort and amenities of the château.
This room is part of the former chapel, which was exceptional due to its length (27 metres) and the painted decoration, which adorned the walls and ceiling.
The octagonal motifs, which are decorated with rosettes and delicate garlands, are modelled on the illustrations of a book by Sebastiano Serlio, who was resident in Lyon in the 1550s.
The chapel, which was dedicated to St Hieronymus, was originally 27 metres long, and the bed is positioned on the site of the former altar. Gaspard Dugué and Marie Charrier de la Roche acquired the château in 1619 and ordered the wall paintings between 1624 and 1628. The ceiling of the nave was replaced by a barrel vault, decorated with a coffered design inspired by the engravings of Sebastiano Serlio. The windows were inserted in the machiolations of the outer wall.
The wall paintings around the former altar form the only decorative scheme of this period that still exists in the château. The paintings depict the life of St Hieronymus, and on the frieze below there are inscriptions contained in cartouches. The elongated figures and the caryatids positioned around the niches recall mannerist art. The arms of Gaspard Dugué and Marie Charrier de la Roche appear on the dado, which is decorated with acanthus leaves. The chapel fell into disuse in the 19th century and was used as a loft.
The bed is adorned with columns of painted and gilded wood, decorated with masks, garlands and trophies, and has a bedspread of antique crimson velvet embellished with braid made from gold thread. The 19th-century blue carpet is Indian, possibly from Agra, and is decorated with 12 panels scattered with flowers, palms and foliage.
The Italian walnut 17th-century writing table has two drawers and is carved with gadrooning and fluting. The Italian 18th-century walnut chair, with its original leather cover, is decorated with carved acanthus leaf finials. The lamp has a very fine 17th-century carved oak base. The 18th-century painted panel depicts a classical landscape en grisaille.
Room 9 ~ Pierre Roy: Claude Camus, who acquired the château in 1566, was worried about the effect of the wars of religion and decided to reinforce the defences of the château by the addition of more arrow slits and a drawbridge. As the roof of the château needed repair, on 15th December 1568 he called on the services of Pierre Roy, a carpenter living in Le Bois d'Oingt. Pierre Roy agreed to reconstruct the beams in the roof and cut the wood needed 'from the woods of the estate of Bagnols; so that he should not be obliged to supply anything other than his labour'.
There are two matching four-poster beds with carved 17th-century Portuguese barley-twist columns, hung with antique Toile de Jouy. The fine 18th-century English chest of drawers in carved walnut has a top drawer that opens out into a desk top. There are two French 18th-century painted panels: one depicting a pastoral scene with a fountain, the other, a landscape with a pond. The four engravings of birds date from the 18th century.
The round tower, which is one of the oldest in the château (13th / 14th century), was used for defensive purposes. At the end of the 15th century a window was installed, and during the 16th century new openings were created, specially adapted to the use of crossbows - the X-shape opened out the range of fire whilst protecting the archer. The pine gateleg table dates from the 19th century. The carved wood angel, with traces of polychrome, dates from the 17th century.
Room 10 ~ Claude Léviste: The marriage of Claude Léviste and Geoffroy de Balzac in 1500 brought considerable wealth to Bagnols. The Lévistes were one of the leading families of Lyon. The magistrate Jean Léviste (the father of Claude) was the man who ordered the famous set of tapestries known as The Lady with the Unicorn, now to be seen at the Cluny Museum in Paris. It is possible that the young woman of perfect beauty, clothed in velvets and brocades embroidered with pearls and precious stones, represents Claude Léviste.
The second floor of the château used to contain well-appointed bedrooms before they were converted into attics. The tower, which was built in 1450, was adapted to the use of the new type of firearm and was only habitable on the first and second levels. At the end of the 15th century, new openings were installed. At that time the tower rose above the building, but the upper levels were removed at the time of the French Revolution.
The Salon
The chest, which is painted with a geometric design incorporating rosettes, dates from the 19th century. The French 18th-century painted panel depicts a rural landscape.
The Bedroom
There are two matching four-poster beds with 17th-century Portuguese barley-twist columns hung with antique Toile de Jouy. The 18th-century English gateleg table is made in oak. The walnut ladder-back chair dates from the 19th century. The carved walnut mirror has a column and acanthus leaf decoration and is a 19th-century copy of a 17th-century style. The 18th-century French painted panel consists of a series of landscapes and architectural designs contained within mouldings.
Room 20 ~ Claude-Marie de Chavanis: Claude-Marie de Chavanis had a doctorate in law and practised as a lawyer in parliament. In 1796 he bought the domaine of Bagnols and Moiré from Georges-Marie Giraud de Saint-Try for the sum of 160,000 livres in signed notes. Claude-Marie's son, Auguste Chavanis, converted the former manor house into a wine-producing concern. He built the Cuvage, which interrupted the design of the Basse Cour and masked the main 17th-century entrance. The stables, which were built in the 15th century, continued to fulfil their function as did the south range of the courtyard buildings, which were used to house the staff.
The four-poster ironwork bed with brass acorn finials is hung with antique striped, glazed chintz. There is a 19th-century painted chest of drawers.
The Salon
The 18th-century painted walnut dresser has two carved doors on its upper part and four drawers beneath. It is decorated with a shell motif and trailing foliage. The oak table dates from the Louis XIII period. The 18th-century rectangular writing table is in carved oak with a drawer and turned legs. |
 Suites: Queen-size bed in the château with a private sitting area; many have a fireplace and wall paintings. Overlooking the Renaissance courtyard, the village or the Basse Cour.
Room 4 ~ Geoffroy de Balzac: Bagnols came to Roffec de Balzac through his marriage to Jeanne d'Albon in 1453. The Hundred Years War was over, but the country was still in a state of uncertainty. Roffec adapted the fortress so that it could be defended by firearms. He undertook the construction of the north and north-east towers and created openings in the walls for cannon.
His son, Geoffroy de Balzac, converted the château from a fortress into a private house by making windows in the exterior walls and arranging the interior more comfortably. The salon in the tower has a fireplace with the arms of the Balzac family and is decorated with painted stripes imitating a tournament tent. The monogram 'AE' at the intersection of the stripes signifies 'A Eternita' and symbolises the union of the d'Albon and Balzac families. The bed has a very important set of Louis XIV crimson silk velvet hangings, embroidered with dolphins, fleurs-de-lys, arabesques and four-leaf clover.
The two 18th-century painted panels, recalling those published by Androuet du Cerceau, depict two of the four seasons. There is a Louis XIII walnut writing table with turned legs. The small 17th-century-style mirror is of inlaid burr walnut with gilded brass decoration of foliage and arabesques. Underneath it is an early 18th-century English walnut table.
The large mirror has a carved wooden frame with a surround of 18th-century figured velvet. The 17th-century high-backed chair with bronze urn finials is covered with an exceptionally fine 17th-century crimson silk velvet, finely embroidered with arms and shields surrounded by foliage and palms.
The plates in the alcove are 19th-century English. The Salon has an English 17th-century oak lambing chair. There is an Italian 17th-century cassone or marriage chest in carved walnut, decorated with coats of arms. There is also a Louis XIV torchère in repoussé brass, richly decorated with acanthus and scrolls.
Room 5 ~ Madame de Sévigné: Dreux-Louis Dugué married his cousin Anne Dugué in 1670. Her sister Marie-Angélique was married to Philippe-Emmanuel de Coulange, the Marquise de Sévigné's cousin. The château served as a very useful stopping place between Paris and Lyon, and Madame de Sévigné stayed there on the 11th October 1673. In a letter, which she wrote to her daughter, she described her 'rather long evening' and her visit to the 'rather primitive' local priest.
The date of the wall paintings is recorded on one of the embrasures of the windows: 1623 or 1627. They copy an Italian 16th-century design, which was prevalent in Lyon after 1605. This shows dark red foliage supporting a crown, with leaves and pomegranates tumbling from a vase on which birds are perching.
The panel is framed by an imitation fabric with a border decorated with white flowers on a yellow background. Smiling masks are interspersed with foliage to create a rhythmic pattern.
The 17th-century-style bed has four painted and gilded columns. The walnut table dates from the 17th century and has turned baluster legs. The 18th-century Italian cassone or marriage chest in carved, gilded wood has a front panel depicting arabesques and mythological beasts. The cast-iron armorial fireback dates from the 17th century.
The Salon is in one the towers, built around 1450 by Roffec de Balzac. The large acanthus leaves painted on the vaulted ceiling are part of the 17th-century decoration. The present decoration, which was designed by Joseph-Barthélémy Hessler at the beginning of the 18th century, depicts imaginary landscapes, classical ruins and medieval castles. The rectangular panels are decorated with designs showing urns, birds, foliage and garlands, delicately composed in monochrome tints, which were drawn by Jean Bérain, the king's designer.
The pair of armchairs covered in antique striped cream and blue silk are of the Directoire period. The English 18th-century oak prie-dieu has a columned support and a top covered in antique petit point tapestry.
Room 6 ~ Appartement aux Bouquets: The Salon
The Italian 17th-century chest is made from carved walnut with a marquetry of foliage in pale wood. The high-backed walnut chair dates from the 17th century and is of Italian design, decorated with gilded acanthus leaves and balusters. It is covered in tooled, gilded leather with an armorial design. The long table is in walnut with two drawers and dates from the 17th century. The 18th-century cast-iron fireback has an armorial design of fleurs-de-lys and cherubs.
The Bedroom
This was formerly the command point for the drawbridge, constructed in the 15th century. It has a vaulted ceiling and a window, which gives onto the interior courtyard. At the beginning of the 18th century, Joseph-Barthélémy Hessler decided to suppress the mechanism of the drawbridge. The two windows facing the moat were filled in, and the room was decorated with wall paintings imitating wood panelling in grey and white.
The panels on the walls are decorated with geometric patterns, garlands and vases of flowers, which can be found in engravings by the king's designer Jean Bérain. Above the fireplace there is a wall painting depicting the sacrifice of Mucius Scaevola taken from a passage in Titus Livius. The Louis XVI-style bed à la polonaise has a set of yellow damask hangings.
The pair of 17th-century Italian high-backed chairs are decorated with gilded acanthus finials and covered in 18th-century petit point tapestry. The 19th-century high-backed chair in the style of Henri II has armrests ending in ram's heads and arm-supports carved with acanthus leaves and pale wood marquetry. It is covered with blue silk velvet with a medallion design dating from the 17th century. The 18th-century drawer-front table is in carved walnut on turned baluster legs.
Appartement Residence Room 21: King-size bed in the Residence with a private sitting area, a dining room and a fireplace. Overlooking the valley and with private access to the garden. |
| Accommodation Facilities Summary | | In all Accommodations: |  ADSL Connection | Answering Machine | | Complimentary Newspaper | Direct Dial Telephone | | Internet Connection | CD Player | | DVD Library | DVD Player | | Satellite/cable TV | In-Room Movies | | Room Service | Bathrobes | | Electric Fan | Hairdryer | | Safe | Slippers | | Alarm Clock | Shaver Points | | Courtesy Kit | Turn Down Service | | Smoke Detectors | | | In Double Room Traditional: | | Air Conditioning | | | In Double Room Deluxe: | | Air Conditioning | Sun Terrace | | In Junior Suite Standard: | | Air Conditioning | | | In Suite Château: | | Air Conditioning | Sun Terrace | | In Apartment Residence: | | Fax Machine | Internet Wireless | | Sun Terrace | Wi-Fi | | |
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